flowing dot art Seed Dreaming painting by Marshall Jangala Robertson showing graceful movement and cultural storytelling
ollect original Aboriginal Seed Dreaming painting by Marshall Jangala Robertson with refined dots and traditional inspiration
Contemporary Aboriginal painting Seed Dreaming by Marshall Jangala Robertson featuring intricate patterns and cultural depth
"Seed Dreaming" Marshall Jangala Robertson 195cm x 119cm
"Seed Dreaming" Marshall Jangala Robertson 195cm x 119cm
"Seed Dreaming" Marshall Jangala Robertson 195cm x 119cm
  • Load image into Gallery viewer, flowing dot art Seed Dreaming painting by Marshall Jangala Robertson showing graceful movement and cultural storytelling
  • Load image into Gallery viewer, ollect original Aboriginal Seed Dreaming painting by Marshall Jangala Robertson with refined dots and traditional inspiration
  • Load image into Gallery viewer, Contemporary Aboriginal painting Seed Dreaming by Marshall Jangala Robertson featuring intricate patterns and cultural depth
  • Load image into Gallery viewer, "Seed Dreaming" Marshall Jangala Robertson 195cm x 119cm
  • Load image into Gallery viewer, "Seed Dreaming" Marshall Jangala Robertson 195cm x 119cm
  • Load image into Gallery viewer, "Seed Dreaming" Marshall Jangala Robertson 195cm x 119cm

"Seed Dreaming" Marshall Jangala Robertson 195cm x 119cm

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"Seed Dreaming"

Marshall Jangala Robertson.

195cm x 119cm

Comes with certificate of authenticity

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Seed Dreaming, also known as Watiya Warnu Jukurrpa and Ngulu Tjukurpa in the Pitjantjatjara language, depicts the ancestral tracks of seed gathering in spinifex and mulga country. The ancestor journeyed from Ngurlupurranyangu toward Mount Liebig, collecting seeds from the watiya warnu tree and carrying them in traditional food carriers called parrajas, including one carried on the head.

Back at camp, large windbreaks were erected and seeds were winnowed in the late afternoon. Immature seeds were ground into a paste used as a traditional digestive medicine. This Dreaming is owned by Nampijinpa and Nangala women as well as Jampijinpa and Jangala men, and forms an important part of cultural knowledge and ceremony.

Marshall Jangala Robertson conveys these ancestral tracks through finely detailed dot work and flowing movement, with a refined monochromatic palette that evokes both the landscape and the story. His painting captures the rhythm of land, labour, and renewal, honouring the deep connection between people, Country, and culture.

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