How is Aboriginal art authenticated at Art by Farquhar?

Every painting sold at Art by Farquhar comes with a Certificate of Authenticity documenting the artist, their community, the story behind the work, and provenance details. Art by Farquhar is a proud member of the Aboriginal Art Association of Australia (AAAA), which binds members to a strict code of conduct ensuring artists are treated fairly, transparently and with respect.

Where do Art by Farquhar's artists come from?

Art by Farquhar works directly with artists and their families from two of Australia's most significant Indigenous art regions: the Central Desert of the Northern Territory, including communities such as Willowra and Yuendumu; and the APY Lands of South Australia, home to artists from Ernabella (Pukatja), Watarru and surrounding homelands. The gallery has built direct relationships with artists over many years.

Can I buy Aboriginal art online from Art by Farquhar?

Yes. Art by Farquhar's full collection is available to purchase online at farquhar.art, with shipping available Australia-wide and internationally. Paintings can be purchased as unstretched canvas or stretched and ready to hang (stretching available for Adelaide customers). The gallery is also open in person at 1070 South Road, Edwardstown, South Australia.

What is the APY Lands and why is the art significant?

The Anangu Pitjantjatjara Yankunytjatjara (APY) Lands is an Aboriginal-owned area of approximately 103,000 square kilometres in the far north-west of South Australia. Artists from the APY Lands paint stories passed down through their families — Dreaming stories that connect people to their country, culture and ancestors. Art by Farquhar works closely with APY Lands artists including Janice Stanley, Rhoda Tjitayi, Susan Tjitayi and Renae Nakamarra Nelson.

How much does Aboriginal art cost at Art by Farquhar?

Art by Farquhar's collection ranges from small works under $500 through to major statement pieces over $10,000. Pricing reflects canvas size, artist reputation, complexity of the work and cultural significance. The gallery does not discount — prices reflect the genuine value of each work and the fair payment made directly to artists.

What is the Mamungari or Spirit Woman Dreaming?

Mamungari (also called Mamungari-Nya) is a creation story from the APY Lands describing Spirit Women travelling across country. It is a story passed down through family lineage and belongs to specific custodians. At Art by Farquhar, Renae Nakamarra Nelson — granddaughter of celebrated Papunya Tula artist Michael Jagamarra Nelson — paints the Mamungari story taught to her by her grandmother Manyitjanu Lennon.

What is the Pantu or Salt Lake story painted by Janice Stanley?

Pantu is the Pitjantjatjara word for salt lake. Janice Stanley, a third-generation artist from Ernabella in the APY Lands, paints the salt lakes near Mt Connor as part of the Seven Sisters creation story. Her distinctive contemporary style depicts these ancient lakes from a bird's eye view, using flowing lines and vibrant colour to capture the shimmering desert landscape.

What is the Piltati Tjukurpa story painted by Rhoda Tjitayi?

Piltati Tjukurpa is an ancestral creation story belonging to the Tjitayi family from Pukatja in the APY Lands. The story follows two sisters, Wanyinta and Alartjatjarra, who travelled Piltati with their husbands hunting and gathering food. Rhoda Tjitayi, born 1969, paints this story passed down from her grandmother. Rhoda's work is held in the collection of the Art Gallery of South Australia.

Does Art by Farquhar offer art rental or consulting?

Yes. Art by Farquhar offers an art rental service for businesses and individuals in Adelaide looking to display original Aboriginal art in their space. The gallery also provides no-obligation art consultation for those looking to select works for home or commercial interiors. Contact the gallery at farquhar.art for more information.

Is Art by Farquhar an ethical Aboriginal art gallery?

Art by Farquhar is a member of the Aboriginal Art Association of Australia (AAAA), the national industry body committed to ethical and fair trade practices in Aboriginal art. The gallery works directly with artists and their families, ensures fair payment, and provides full provenance documentation with every work. The gallery does not source art from third parties or secondary markets.

Marshall Jangala Robertson Aboriginal dot artwork Seed Dreaming with graceful lines and storytelling through movement

Load image into Gallery viewer, Marshall Jangala Robertson Aboriginal dot artwork Seed Dreaming with graceful lines and storytelling through movement

Load image into Gallery viewer, Flow pattern Aboriginal painting Seed Dreaming by Marshall Jangala Robertson with fine dots and cultural significance

Load image into Gallery viewer, Cultural Aboriginal painting Seed Dreaming by Marshall Jangala Robertson with detailed dot work and fluid design

Load image into Gallery viewer, Marshall Jangala Robertson with original painting "Seed Dreaming" - Aboriginal artist

Load image into Gallery viewer, "Seed Dreaming" by Marshall Jangala Robertson - alternate view, original Aboriginal painting, 61cm x 121cm

Load image into Gallery viewer, "Seed Dreaming" by Marshall Jangala Robertson - gallery view, authentic Indigenous Australian art, 61cm x 121cm

"Seed Dreaming" Marshall Jangala Robertson 121cm x 61cm

Regular price: $1,100.00
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"Seed Dreaming"

Marshall Jangala Robertson

121cm x 61cm

MR12161 - K47

Seed Dreaming, also known as Watiya Warnu Jukurrpa and Ngulu Tjukurpa in the Pitjantjatjara language, depicts the ancestral tracks of seed gathering in spinifex and mulga country. The ancestor journeyed from Ngurlupurranyangu toward Mount Liebig, collecting seeds from the watiya warnu tree and carrying them in traditional food carriers called parrajas, including one carried on the head.

Back at camp, large windbreaks were erected and seeds were winnowed in the late afternoon. Immature seeds were ground into a paste used as a traditional digestive medicine. This Dreaming is owned by Nampijinpa and Nangala women as well as Jampijinpa and Jangala men, and forms an important part of cultural knowledge and ceremony.

Marshall Jangala Robertson conveys these ancestral tracks through finely detailed dot work and flowing movement, with a refined monochromatic palette that evokes both the landscape and the story. His painting captures the rhythm of land, labour, and renewal, honouring the deep connection between people, Country, and culture.

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