"Minyma Malilu" original Aboriginal painting by Teresa Baker, 96cm x 70cm - authentic Indigenous Australian artwork
"Minyma Malilu" by Teresa Baker - detail view of Aboriginal painting, 96cm x 70cm
"Minyma Malilu" Aboriginal art by Teresa Baker - close-up detail, 96cm x 70cm
Teresa Baker with original painting "Minyma Malilu" - Aboriginal artist
"Minyma Malilu" by Teresa Baker - alternate view, original Aboriginal painting, 96cm x 70cm
"Minyma Malilu" by Teresa Baker - gallery view, authentic Indigenous Australian art, 96cm x 70cm
"Minyma Malilu" by Teresa Baker - view 6, 96cm x 70cm - Aboriginal art
  • Load image into Gallery viewer, "Minyma Malilu" original Aboriginal painting by Teresa Baker, 96cm x 70cm - authentic Indigenous Australian artwork
  • Load image into Gallery viewer, "Minyma Malilu" by Teresa Baker - detail view of Aboriginal painting, 96cm x 70cm
  • Load image into Gallery viewer, "Minyma Malilu" Aboriginal art by Teresa Baker - close-up detail, 96cm x 70cm
  • Load image into Gallery viewer, Teresa Baker with original painting "Minyma Malilu" - Aboriginal artist
  • Load image into Gallery viewer, "Minyma Malilu" by Teresa Baker - alternate view, original Aboriginal painting, 96cm x 70cm
  • Load image into Gallery viewer, "Minyma Malilu" by Teresa Baker - gallery view, authentic Indigenous Australian art, 96cm x 70cm
  • Load image into Gallery viewer, "Minyma Malilu" by Teresa Baker - view 6, 96cm x 70cm - Aboriginal art

"Minyma Malilu" Teresa Baker 96cm x 70cm

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"Minyma Malilu"

Teresa Baker 

96cm x 70cm

TB9670D5 - W21

"The painting tells the tale of Malilu, a significant being of creation. Malilu was a crippled woman. As she performed a sacred dance, she left distinctive tracks in the sand. Her two daughters abandoned her to get married, leaving her to fend for herself. It was difficult for her to gather bush foods and water because she had to drag her leg as she walked. Despite the challenges, she managed to collect desert raisins, bush tomatoes, berries, and various other wild foods through much effort."

Rooted in Dreamtime traditions, her dot paintings merge Anangu heritage with contemporary design, continuing the family legacy of Jimmy Baker and Kay Baker within the Western Desert art movement.