Aboriginal heritage painting Seed Dreaming by Marshall Jangala Robertson with refined dots and movement across the canvas
"Seed Dreaming" Marshall Jangala Robertson 46cm x 91cm
Collectible Aboriginal art Seed Dreaming by Marshall Jangala Robertson featuring flowing dot work and ancestral inspiration
Fine dot painting Seed Dreaming by Marshall Jangala Robertson with intricate detailing and flowing cultural patterns
"Seed Dreaming" Marshall Jangala Robertson 46cm x 91cm
"Seed Dreaming" Marshall Jangala Robertson 46cm x 91cm
"Seed Dreaming" Marshall Jangala Robertson 46cm x 91cm
  • Load image into Gallery viewer, Aboriginal heritage painting Seed Dreaming by Marshall Jangala Robertson with refined dots and movement across the canvas
  • Load image into Gallery viewer, "Seed Dreaming" Marshall Jangala Robertson 46cm x 91cm
  • Load image into Gallery viewer, Collectible Aboriginal art Seed Dreaming by Marshall Jangala Robertson featuring flowing dot work and ancestral inspiration
  • Load image into Gallery viewer, Fine dot painting Seed Dreaming by Marshall Jangala Robertson with intricate detailing and flowing cultural patterns
  • Load image into Gallery viewer, "Seed Dreaming" Marshall Jangala Robertson 46cm x 91cm
  • Load image into Gallery viewer, "Seed Dreaming" Marshall Jangala Robertson 46cm x 91cm
  • Load image into Gallery viewer, "Seed Dreaming" Marshall Jangala Robertson 46cm x 91cm

"Seed Dreaming" Marshall Jangala Robertson 46cm x 91cm

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"Seed Dreaming" (Watiya Wanu)

Marshall Jangala Robertson

46cm x 91cm

Comes with certificate of authenticity

Seed Dreaming, also known as Watiya Warnu Jukurrpa and Ngulu Tjukurpa in the Pitjantjatjara language, depicts the ancestral tracks of seed gathering in spinifex and mulga country. The ancestor journeyed from Ngurlupurranyangu toward Mount Liebig, collecting seeds from the watiya warnu tree and carrying them in traditional food carriers called parrajas, including one carried on the head.

Back at camp, large windbreaks were erected and seeds were winnowed in the late afternoon. Immature seeds were ground into a paste used as a traditional digestive medicine. This Dreaming is owned by Nampijinpa and Nangala women as well as Jampijinpa and Jangala men, and forms an important part of cultural knowledge and ceremony.

Marshall Jangala Robertson conveys these ancestral tracks through finely detailed dot work and flowing movement, with a refined monochromatic palette that evokes both the landscape and the story. His painting captures the rhythm of land, labour, and renewal, honouring the deep connection between people, Country, and culture.

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