Buy Seed Dreaming by Marshall Jangala Robertson. Flowing Aboriginal dot painting with cultural depth
Authentic Aboriginal art Seed Dreaming by Marshall Jangala Robertson featuring fine dots and rhythmic flow
Original Aboriginal painting Seed Dreaming by Marshall Jangala Robertson with flowing dot work connecting to Country
"Seed Dreaming" Marshall Jangala Robertson 120cm x 79cm
"Seed Dreaming" Marshall Jangala Robertson 120cm x 79cm
"Seed Dreaming" Marshall Jangala Robertson 120cm x 79cm
"Seed Dreaming" Marshall Jangala Robertson 120cm x 79cm
  • Load image into Gallery viewer, Buy Seed Dreaming by Marshall Jangala Robertson. Flowing Aboriginal dot painting with cultural depth
  • Load image into Gallery viewer, Authentic Aboriginal art Seed Dreaming by Marshall Jangala Robertson featuring fine dots and rhythmic flow
  • Load image into Gallery viewer, Original Aboriginal painting Seed Dreaming by Marshall Jangala Robertson with flowing dot work connecting to Country
  • Load image into Gallery viewer, "Seed Dreaming" Marshall Jangala Robertson 120cm x 79cm
  • Load image into Gallery viewer, "Seed Dreaming" Marshall Jangala Robertson 120cm x 79cm
  • Load image into Gallery viewer, "Seed Dreaming" Marshall Jangala Robertson 120cm x 79cm
  • Load image into Gallery viewer, "Seed Dreaming" Marshall Jangala Robertson 120cm x 79cm

"Seed Dreaming" Marshall Jangala Robertson 120cm x 79cm

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"Seed Dreaming"

Marshall Jangala Robertson.

120cm x 79cm

Comes with certificate of authenticity

Seed Dreaming, also known as Watiya Warnu Jukurrpa and Ngulu Tjukurpa in the Pitjantjatjara language, depicts the ancestral tracks of seed gathering in spinifex and mulga country. The ancestor journeyed from Ngurlupurranyangu toward Mount Liebig, collecting seeds from the watiya warnu tree and carrying them in traditional food carriers called parrajas, including one carried on the head.

Back at camp, large windbreaks were erected and seeds were winnowed in the late afternoon. Immature seeds were ground into a paste used as a traditional digestive medicine. This Dreaming is owned by Nampijinpa and Nangala women as well as Jampijinpa and Jangala men, and forms an important part of cultural knowledge and ceremony.

Marshall Jangala Robertson conveys these ancestral tracks through finely detailed dot work and flowing movement, with a refined monochromatic palette that evokes both the landscape and the story. His painting captures the rhythm of land, labour, and renewal, honouring the deep connection between people, Country, and culture.

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