Teresa Baker "Minyma Malilu (Desert Tones)" Print
Teresa Baker 'Minyma Malilu' desert-toned print showing ochre/sienna bush food foraging and inma dance tracks - Pitjantjatjara Tjukurpa
Teresa Baker 'Minyma Malilu' desert-toned print showing ochre/sienna bush food foraging and inma dance tracks - Pitjantjatjara Tjukurpa
Teresa Baker "Minyma Malilu (Desert Tones)" Print
Teresa Baker "Minyma Malilu (Desert Tones)" Print
Teresa Baker "Minyma Malilu (Desert Tones)" Print
Teresa Baker "Minyma Malilu (Desert Tones)" Print
Teresa Baker "Minyma Malilu (Desert Tones)" Print
  • Load image into Gallery viewer, Teresa Baker "Minyma Malilu (Desert Tones)" Print
  • Load image into Gallery viewer, Teresa Baker 'Minyma Malilu' desert-toned print showing ochre/sienna bush food foraging and inma dance tracks - Pitjantjatjara Tjukurpa
  • Load image into Gallery viewer, Teresa Baker 'Minyma Malilu' desert-toned print showing ochre/sienna bush food foraging and inma dance tracks - Pitjantjatjara Tjukurpa
  • Load image into Gallery viewer, Teresa Baker "Minyma Malilu (Desert Tones)" Print
  • Load image into Gallery viewer, Teresa Baker "Minyma Malilu (Desert Tones)" Print
  • Load image into Gallery viewer, Teresa Baker "Minyma Malilu (Desert Tones)" Print
  • Load image into Gallery viewer, Teresa Baker "Minyma Malilu (Desert Tones)" Print
  • Load image into Gallery viewer, Teresa Baker "Minyma Malilu (Desert Tones)" Print

Teresa Baker "Minyma Malilu (Desert Tones)" Print

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Print Reproduction of "Minyma Malilu (Desert Tones)" by Teresa Baker (Fregon, APY lands).

Reproduced on premium canvas.

"The painting tells the tale of Malilu, a significant being of creation. Malilu was a crippled woman. As she performed a sacred dance, she left distinctive tracks in the sand. Her two daughters abandoned her to get married, leaving her to fend for herself. It was difficult for her to gather bush foods and water because she had to drag her leg as she walked. Despite the challenges, she managed to collect desert raisins, bush tomatoes, berries, and various other wild foods through much effort."

Rooted in Dreamtime traditions, her dot paintings merge Anangu heritage with contemporary design, continuing the family legacy of Jimmy Baker and Kay Baker within the Western Desert art movement.

 

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