Flow pattern Aboriginal painting Seed Dreaming by Marshall Jangala Robertson with fine dots and cultural significance
Marshall Jangala Robertson Aboriginal dot artwork Seed Dreaming with graceful lines and storytelling through movement
Cultural Aboriginal painting Seed Dreaming by Marshall Jangala Robertson with detailed dot work and fluid design
"Seed Dreaming" Marshall Jangala Robertson 61cm x 121cm
"Seed Dreaming" Marshall Jangala Robertson 61cm x 121cm
"Seed Dreaming" Marshall Jangala Robertson 61cm x 121cm
  • Load image into Gallery viewer, Flow pattern Aboriginal painting Seed Dreaming by Marshall Jangala Robertson with fine dots and cultural significance
  • Load image into Gallery viewer, Marshall Jangala Robertson Aboriginal dot artwork Seed Dreaming with graceful lines and storytelling through movement
  • Load image into Gallery viewer, Cultural Aboriginal painting Seed Dreaming by Marshall Jangala Robertson with detailed dot work and fluid design
  • Load image into Gallery viewer, "Seed Dreaming" Marshall Jangala Robertson 61cm x 121cm
  • Load image into Gallery viewer, "Seed Dreaming" Marshall Jangala Robertson 61cm x 121cm
  • Load image into Gallery viewer, "Seed Dreaming" Marshall Jangala Robertson 61cm x 121cm

"Seed Dreaming" Marshall Jangala Robertson 61cm x 121cm

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"Seed Dreaming"

Marshall Jangala Robertson

61cm x 121cm

Comes with certificate of authenticity

Ask staff to view (K47)

Seed Dreaming, also known as Watiya Warnu Jukurrpa and Ngulu Tjukurpa in the Pitjantjatjara language, depicts the ancestral tracks of seed gathering in spinifex and mulga country. The ancestor journeyed from Ngurlupurranyangu toward Mount Liebig, collecting seeds from the watiya warnu tree and carrying them in traditional food carriers called parrajas, including one carried on the head.

Back at camp, large windbreaks were erected and seeds were winnowed in the late afternoon. Immature seeds were ground into a paste used as a traditional digestive medicine. This Dreaming is owned by Nampijinpa and Nangala women as well as Jampijinpa and Jangala men, and forms an important part of cultural knowledge and ceremony.

Marshall Jangala Robertson conveys these ancestral tracks through finely detailed dot work and flowing movement, with a refined monochromatic palette that evokes both the landscape and the story. His painting captures the rhythm of land, labour, and renewal, honouring the deep connection between people, Country, and culture.

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